We’ll also be keeping an eye out for promises like Darkest Dungeons II, which will come out of Early Access at some point this year, or if there’s news on the long-awaited Deltarune. We also expect this year to see news of projects such as the eternally in-development Granblue Fantasy Relink (supposedly already this year) and to see if the expected Eiyuden Chronicle from the original Suikoden team can really appear this year. For example, we'll always be on the lookout for when Atlus announces news about the future of its franchises, whether it's a new Persona on the horizon (Persona 5 is already 7 years old) or Katsuhiro Hashino's Project Re Awakening, which we haven't had fresh news about in years. No mention of its global release, however. Many developments, big and small, may come out in the next few months, or projects in the works that could pop their heads up at any time. While we don’t have an exact release date yet, Granblue Fantasy: Relink is confirmed to be releasing in 2022 within Japan. The games discussed are just a part of what is cooking in the genre. A lot of responsibility, but in good hands and with an increasingly promising aspect. Now, its development team is responsible for repeating this feat in an "offline" installment that redraws the present and future of the saga. But a particular change of trend is noticeable: the Final Fantasy VII remake has been a success that has restored prestige to the franchise, and Final Fantasy XIV, despite being an MMO, has become a great standard-bearer for everything the franchise represents. Installments such as the XIII or XV were also not considered at the level of the saga's peaks, contributing to this feeling. Final Fantasy XVIįor a while, there was a particular narrative about the decline of Final Fantasy and its loss of international impact compared to the times of PlayStation. This year is looking particularly interesting in the genre as well, with several games of undeniable stature on the horizon. It is a good testament to the power of a genre that also inspires many others with its ideas, which try to learn about the power of interaction with other characters, the satisfaction of creating a character that is the result of your own decisions, and the power of allowing different characters and approaches to the problems posed by the game. Three of the nine The Game Awards ceremonies that have been held have resulted in RPGs winning “Game of the Year” awards (Dragon Age Inquisition, Witcher 3, and Elden Ring).
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